brooklyn label firm tracks is back with another fresh take on techno, this time with a remix 12inch submitting electropunk newcomers debut single to three dance floor beatdowns. featuring remixes by m parent (chem club, blank stairs), davis galvin (firm tracks, la squadra), and the firm tracks in-house remix team of susie and will martin, this super fun 12inch is wrapped in a hand screen-printed jacket.

from the age of 13, jullian gomes secretly gambled every cent of his school lunch money on buying deep-house records, no doubt with the unknown knowledge that someday, these records would change his life forever. only a few people know this but jullian used to sneak, yes! sneak into local clubs in and around pretoria / tshwane from a very early age. at this time nothing could stop this young man being in the moment to enjoy the music that has now, amazingly, become his full time career. maybe his parents will be ok with the knowledge of his secret nightlife now knowing how incredibly skilled and loved their son has become throughout the world of dance music.

medical records presents the third release in our transfusions 12- singles series. certain creatures (born oliver chapoy) currently resides in brooklyn, ny but has a career dating back to the early 90 s. he has roots in the miami hardcore scene that evolved into post-rock and even electronic pop (warm ghost). he began exploring electronics as certain creatures in 2013 with a 12- on styles upon styles with guest vocals from stuart argabright which led to oliver producing the 2014 black rain comeback record on blackest ever black. in 2015, oliver created a lush and enthralling lp vipassana, also released on styles upon styles. for this particular release for transfusions, oliver sought to step out of his production bias comfort zone by recording live takes with minimal editing and production in order to maintain a dirty, raw, haze-filled warehouse aesthetic. mission accomplished! the 12- contains 5 tracks total of uncompromising techno which we are ecstatic to unleash on the world. presented on classic 160gram black vinyl in our transfusions 12- sleeve. mastered by martin bowes at the cage studios, uk. crucial material for fans of surgeon, regis, as well as labels such as downwards, mote-evolver, and the like.

medical records proudly presents a special limited edition of all 3 “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel as a triple gatefold set. volume i was released previously in 2013, and volume ii and iii are simultaneously being released by medical records as standalones. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl in a triple gatefold pack.

medical records proudly presents volume iii of a collection of “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel. this release coincides as a standalone with medical’s other releases of volume ii as well as a special 3lp compiling volumes i-iii. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl.

up next on secret reels is an ep by frenchman leon revol. leon has previously released on monologues records alongside laurence guy, his style is laid back and dreamy, yet still holding a fantastic groove. this ep entitled astral plane is a subtly detailed and beautiful house music record. admin turns in a chunky groover of a remix on the b side, fresh from appearances on boogie café, banofee pies and kolour ltd. the proof is in the listening! dj support: nachtbraker, dj caspa, mike w (kolour ltd), roberto rodriguez, dairmount, goshawk, loz goddard, had & the ladyboy, saine, long island sound, replika, chocky, marcin krupa, martin hayes,

180 gram vinyl pressing with download code included.
for his third ecm release as a leader, chris potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. the group includes superlative musicians well known to followers of ecm’s many recordings from new york over the past decade: keyboardist david virelles, bassist joe martin and drummer marcus gilmore, who each shine in addition to the leader on multiple horns. the dreamer is the dream features potter on tenor saxophone – the instrument that has made him one of the most admired players of his generation – in the striking opener “heart in hand” and such album highlights as “yasodhara,” as well as on soprano sax (“memory and desire”) and bass clarinet (the title track). potter is an artist who “employs his considerable technique in service of music rather than spectacle,” says the new yorker, and his composing develops in texture and atmosphere with every album. along with his previous ecm releases, imaginary cities and the sirens, he has appeared on some of the label’s most acclaimed discs, including paul motian’s classic lost in a dream and dave holland’s grammy award-winning what goes around.

downliners sekt zählen zu den bemerkenswertesten künstlern der brodelnden electronic-szene barcelonas. auf ihrem dritten longplayer -silent ascent- fesseln sie den hörer mit einer überzeugenden mixtur aus post-dubstep, berliner techno-dub und leftfield-hip hop. ihr deeper sound ist inspiriert von der wissenschaft von autechre, den geisterechos des basic channel-sublabels burial mix und dem shoegaze von my bloody valentine. zu ihren fans zählen solch gestandene kollegen wie mount kimbie, john talabot, kevin the bug martin oder mary anne hobbs. deshalb wundert es nicht, dass sie für die produktion von silent ascent die berliner produzentenlegende rashad becker gewinnen konnten, der maßgeblich am basic channel-sound beteiligt war.

alphaville haben sich verändert. nach dem tod von keyboarder martin lister vor drei jahren hat mastermind marian gold seine band neu formiert. und das wirkte sich natürlich auch auf ihren sound aus.
so sind alphaville 2017 facettenreicher denn je, sowohl was ihre musik als auch die themen betrifft. »strange attractor« heißt der beweis – ihr lang erwartetes neues album.
das 180 gramm doppel-vinyl werscheint im klappcover.

a new entry to the catalog this time with the pumping beatz of our nipponese yusuke yamamoto for the front side, proper bodyrocking compositions for the harder hours of club night dancing suit best for -no signal- and the vocal anthem driven -need you now-. on the other side we found nicolas diez timeless -amazonia-, a soulful dance track encouraged with romantic vocals that soothe our inner being. last but not least martin bellomo and diez collaboration takes form in the minimalistic deep tune called -algorhythm-

toolroom is delighted to welcome one of the most exciting new prospects on the uk underground house scene to our flagship label. max chapman burst onto the scene less than three years ago with a string of quality releases on highly respected imprints such as elrow, snatch, viva and lost. with a huge overall beatport #1 under his belt last year in body jack , 2017 is shaping up to be his biggest, most successful year to date - and this ep is seriously large. he locks horns with up and coming maestro george smeddles here for a 2 tracker that ticks all the boxes for a solid underground cut. the lead track, zulu , is a peak-time tech houser with ridiculous grooves, plenty of energy and that tribal vocal hook on the drop that everyone will be singing back to you upon it s release. the b-side charger slows things down a little and adds some sexy, bumpy grooves to proceedings making this a perfect, and flawlessly produced ep. support from riva starr, gorgon city, technasia, groove armada, denney, nathan barato, joe t vannelli, harry romero, doorly, solardo, latmun, uto karem, chus & ceballos, ruben mandolini, waifs & strays, kydus, s-man, tuff london, mat.joe, tcts, miguel bastida, filterheadz, david penn, adrian hour, goncalo, ben remember, secondcity, rich wakley, oscar l, paco osuna, ferreck dawn, martin ikin, vanilla ace, enzo siffredi

acid pauli is a name synonymous with certain aesthetic towards electronic music culture - both a part of the unhooked generation of that grew up experiencing his revelatory sets at places like bar 25 and fusion, and yet deeply rooted in musicality and adventurousness. bld, the second full album from martin gretschmann, (aka acid pauli), builds on his already impressive back catalogue which spans back to 2005, and includes a debut album released on nicolas jaar’s clown and sunset. over the course of the eight tracks here, gretschmann explores some of the many facets that have made him one of the most trusted artists in his field. released on his own (and nico stojan’s) label ouïe - the album is the perfect expression of the imprint’s commitment to diverse, exciting sounds, freed of the conventions of traditional club music. the album covers a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. gretschmann’s well documented love of the sampler shines throughout - tracks are textured and colored with different hues from his extensive sound palette, whether it’s a part of his more psychedelic moments, or concentrated on his innate knowledge of dancefloor dynamics. as such bld sits together as a complete piece of music - to be relished just as much by blissed out home listeners as the left-field dancers.

the brainchild of the so-called fairy godmother of house” abigail adams, during the mid-80s and early 90s movin records defined the new jersey sound. a regular at the iconic roxy roller disco in new york, adams skate-shop-turned-record-store was instrumental in supplying club resident tony humphries with the hottest records that everybody wanted to dance to. danny krivit, larry levan and timmy regisford were also adams friends and regulars at the store.

hell’s first single in well over a year, ‘i want u’ throbs and thrusts with in-the-moment physical tension. unhurried and extensive in its 11+ minute arrangement, it’s every bit as deep and as long as you’d want such a session to be with its rush-riddled breakdown that dips deep under the skin with lavish emotional chord changes and peaked atmospherics. a celebration of gay culture, an homage to purist analog-driven proto techno, a statement for what’s shaping up to be yet another exceptional album from the hugely influential international deejay gigolos founder, ‘i want u’ comes complete with two startling remixes: the legend that is the hacker accentuates the grit and crunchy ebm charm of the original with an all-out exercise in sonic horsepower while hell’s selector kindred spirit and all-round robot-rustling icon martin matiske provides a whirlwind trip back to another foundation era for electronic music with b-boy-busting electro boogie spectacular. trust us, you’re going to want all three. and thankfully you’ll get all three right here. let us know what you think!

“sometimes life can kick you in the nads”, says dominick martin (aka calibre). “when life does do that, i need to make music like this. with its tones of hope and gospel-level layers of self-recorded vocals. raw, uplifting, soulfull...” even to the most ardent of calibre follower, “grow” sounds like nothing else he’s done before. yet it’s not actually on the album it gave a name to. partly because its ultimately positive veneer (even though it was written in the midst of two toxic relationships - one personal, one with the bottle) doesn’t quite complement the deeper, more contemplative aesthetic of the album. but also because this is the start of a whole new story for calibre...

nach ihrem ersten generationsübergreifenden zusammenarbeit, “late night endless” (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee “scratch” perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos “merry christmas mr. lawrence”). neben lee perry begrüssen sherwood & pinch auf “man vs. sofa” weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

ltd 2017 repress !!
for the ninth release on hotflush two, a new producer based in london steps to the fore: joy orbison, with two tracks resonating somewhere between dubstep, funky, and future soul. >hyph mngo< is the years most talked-about track in the blogosphere: championed by martin >blackdown< clark and maligned by simon reynolds, it has already become a smash in clubs across the world. on the flip, >wet look< maintains the vibe, and has been supported by gilles peterson on his bbc radio 1 show.

informed by years spent building electronics and collecting records in chicago and honing crowd control skills in the foggy clubs of london, c powers output approaches multiple rhythmic configurations via the intent of generating human response expressed in dance. c powers is currently residing back in his home state of georgia and is holding resident dj posts at atlanta s hunger club night and his own cape fear in savannah ga. c is also the resident dj for savannah s own house of gunt performance group who through cross sensory stimulation experiences involving gender blasting action and choreography. chris s recent output includes 12 s on proper trax, cgi, niche-n-bump, as well as producing tracks for 18+ (houndstooth/fabric). all right is a sample-based late night banger with remixes from house music heavyweights parris mitchell (dance mania), kai alce (ndatl), and john barerra & will martin (dolly, argot). get on up! super limited us imports

für die produktion des albums v holten sich maroon 5 hochkarätige songwriter ins boot. unter anderem standen produzenten-legende max martin, benny blanco, shellback, sam martin und onerepublic-leadsänger ryan tedder an den mischpult-reglern.

with over 25 years in the game, andré galluzzi can respectfully be awarded the veteran badge of honour. a mark of experience and longevity for an artist who has, as they say, been there and done it all. today howeversees the german take on a new adventure, with his debut release for josh winks ovum recordings. as a dj, andré has held residencies at three of germany and the worlds most influential clubs - tresor, ostgutand berghain. been the driving force behind his own we play vinyl party. managed his own taksi (along side paul brtschitsch) and aras record labels and featured his own music on such highly acclaimed imprints as cocoon, cadenza, ostgut ton and highgrade. back in 2001, having released his seminal mix compilation, ‘im garten’, andré embarked on a new series of events that regularly saw him play intoxicating sets of up to 10-hours. the parties went by the name of submerge and those infamous dj sets have inspired his beautiful brace for ovum today. the metronomic kick drum of the title track introduces us to its immersive groove, whilst bubbling and elasticated fx vie for our attention, adding a sublime swing to submerge. on the flip, bold, by name and nature, ups the swing ante with its fierce acidic melody, shimmering hats and rasping snare. support from: josh wink, pan pot, joris voorn, dj hell, huxley, doc martin, till von sein, anja schneider, &me, catz n dogz and more!

lay down the groove presents its first vinyl only release -four on the floor-. amazing tracks printed with the personality of each artist including its colombian owners juan rms & technicalissues.

nice price deal !!! support by phonique, dave dk, master h, tom clark, rob mello, axel bartsch, alex niggemann, trickski, mihai popoviciu, martin dawson and many more...white rabbit music is a new forward thinking label by sandrino and veteran producer/dj and moodmusic records owner klas sasse lindblad. white rabbit is an open platform for best quality electronic music, ranging from deep slow to bouncy house music. the first release comes from sandrino & adryan from lemon popsicle fame and features a masterful remix from soukie & windish.

stunning 6 track va record with loads of funky and icey electro from the scandinavian parts of the mind. from listening to the dancefloor feel free to discover the teamwork glued together from sweden, iceland, finland, germany & france.

limitierte und nummerierte luxusedition - box mit 7 schallplatten, gesamte laufzeit 4h 28min.
die breühmte geschichte um den sympathischen kleinen hobbit erschien erstmals 1937 und bildet die grundlage für tolkiens fantasy-epos “der herr der ringe”.
ingeborg oehme-tröndle und regisseur heinz dieter köhler bearbeiteten den text zu einer mitreißenden hörspielfassung. die wdr-produktion aus dem jahr 1980 macht mit der musik von enno dugend und den stimmen von martin benrath, horst bollmann, bernhard minetti und vielen anderen die abenteuer in mittelerde zum absoluten hörgenuss.

double 12 inch vinyl in gatefold sleeve.

180gr - ltd to 300 copies
early support by: aquarius heaven, chasing kurt, dairmount, deo & z-man, iron curtis, jacques renault, jad & the ladyboy, javier orduna, loz goddard, martin hayes, miguel puente, mirco violi, moony me, sello, spanks, thomas stieler and more

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

the cacao crew pay their respects to their favourite classic tunes. while we re constantly flooded by daily rapid-fire releases, there are some timeless gems that always ignite the dancefloors. the following tracks come from influential artists that have left their mark on the cacao team s sound world, blending perfectly into their sets.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

‘satan’s slave’ is the latest release from moscovitch music (terror/prey), the brainchild of producer/compiler joel martin (quiet village/velvet season & the hearts of gold/maxxi & zeus) whose ‘de wolfe music’ compilations ‘bite hard/bite harder’ are considered essential primers of the library genre. this holy grail black-magic british jazz soundtrack from 1976 is the most requested movie score of cult film composer and top english jazz saxophonist/flautist - john scott (symptoms/wake in fright/craze). for aficionados of rare library music and obscure horror soundtracks this is an essential album.

aus expertenhand: 180 gramm schweres sammlerstück mit zwölf beschwingten hits.

alborosie the on a mission reggae warrior licks back the dread at the controls rod taylor classic from 1978 his majesty (produced by mikey dread) to stunning effect. the latest production of mr. alberto d ascola aka puppa albo aka alborosie showcases established hit-makers gentleman (in combination with clay), mr. vegas, alborosie, etana, christopher martin, sizzla kalonji with all new exclusive tunes, alongside young lions like dann i, yung j.r., skygrass, sandy smith and martei corley, with all great voices and excellent performances. eleven superb tunes plus alborosies instrumental riddim version makes this a standout longplay release! run the rhythm!

kitjens fifth installment comes in the form of three floor-friendly cuts by melbourlins fantastic man. this swiss army knife of a 12inch gracefully knocks on the doors of italo and acid house and is filled with trippy drums that create a perfect pool for you to drown in. this record is a fantastic stocking stuffer and the official dress code for this release is retired magician. fresh for 2016, you quokkas!

ltd warehouse found...

during the 1950’s american exotica exponents les baxter, martin denny and arthur lyman fused african and latin rhythms with caribbean and polynesian sounds to evoke the sonic equivalent of a tropical island paradise. this 3rd volume of britxotica examines how their english equivalents fuelled by the popularity of hit musical south pacific, attempted to create the same sun-drenched haitian ambience in rain-soaked, post-war london.

special triple pack for all you highway lovers out there - contains three classic releases:
- hwr011: scsi-9 - smooth sunset
- hwr015: francys - people (alex niggeman, nico lahs & ahmet sisman remixes)
- hwr019: aldo cadiz & oscar barila - satin (martin eyerer, mihai popoviciu remixes)

eigenleben was written and produced by holger flinsch & martin müller from march 2005 till june 2006 in hochtaunus, ohmgebirge and humboldthain. after 10 years it is the first time available as limited clear marbled 180g vinyl.
12 inch clear marbled 180g vinyl, recycled grey sleeve
style: dub techno, modulardub, experimental, ambient, listening

nach gut einem jahr seit ihrem zweiten album the other kehren pan-pot auf ihrem label second state zurück und liefern mit solace (inklusive einer zusammenarbeit mit martin eyerer) puren, zeitlosen techno, der sowohl ihren stil als auch ihre stärke als duo vollends auf den punkt bringt.

we live in old structures, admire the same old gods! after the success and the blitz sale of their first two releases - subsequent is back with 4 futuristic tracks from copenhagen based martin swanstein aka martinez. meandering hectic drums, abstract patches of moody melodies and a minimalistic elegance define this wonderful ep. subsequent material at its best. enjoy!

after the sensation caused by its last release, cellaa music returns with their 25th release and label debut for a producer who has been setting the scene alight all year long. label bosses martin heyder, daniel igl and sven jaeger are happy to welcome dimitri monev to the family, with an ep that is bolstered further by a brace of remixes from artslaves and sven jaeger himself.

over the last year, daniel martin-mccormick has been exploring new terrain as relaxer, releasing a series of eps on the project s eponymous label. the third installment follows the paranoid whispers and mossy drip of the first two, yet is the most direct so far. “forming” and “forming (version)” offer distinct takes on a simple rhythmic motif, the first reaching for the heavens, and the b2 “version” sinking into hell. both develop gradually, drawing in the dance floor before unleashing, the a-side’s yearning strings and thunderclaps overflow with emotion, while “version” is a vortex of ever-escalating, dark intensity. in between is “monday,” a teeming environment with a deep bass throb, pounding drums, and shimmering percolating melodies.

3rd groovy deep house on * jus groove it*
played by doc martin, mr ks, rhythm&soul ...

we are glad to welcome youandme feat. brothers vibe to the kitties family after great releases on labels like desolat, cocoon and many more. martin collaborates with tony on the amazing house will survive, an underground raw history lesson with an acid bass line and cool spoken vocal lead. for the remixes we count on two great artists for two different approaches the legendary dj t. delivers a strong, percussive, dancefloor-oriented version then west coast maestro joeski s remix is a full on groove laden deep dub for lovers of classic house music. powerful release!

hifi sean, angesehener dj/produzent (ministry of sound, savage disco) und ex-frontmann der schottischen rave-band the soup dragons, liefert mit -ft.- ein party-pop-album mit gute-laune-faktor und vielen promi-features ab. die 13 tracks basieren auf sonnigen disco/funk/house/techno-grooves, während seine feature-gäste von house-queen crystal waters über funkateer bootsy collins bis avantgardistin yoko ono reichen und bei new wave-legenden wie dave ball (soft cell), fred schneider (b-52s) und alan vega (suicide) lange nicht aufhören.

next to step up to d edges conceptual label olga is solo berlin artist martin mueller aka youandme. the acclaimed producer serves up three brilliant tracks that, like all releases on this label, are designed specifically with the brazil clubs futuristic styles and sumptuous sound system in mind.

livio & roby return to desolat with brand new lp phantom circles which features collaborations with some of the hottest producers in the scene including guti, julian perez, ryan crosson, martin buttrich, enzo siragusa, hector, premiesku, tini, andrea oliva and cesar merveille. phantom circles will be released on triple viny

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

copenhagen’s music for dreams release the special vinyl edition of the first ever artist album from ibiza legend dj pippi. entitled ‘bocadillos variados’, the 10 track double album showcases pippi’s own style of deep soulful balearic grooves and quality global house. highlights include the funky new ibiza summer anthem ‘cristal palpita’, balearic underground hit ‘la serenata’ recorded with kenneth bager, the grace jones influenced ‘make u smile’ with tuccinelli and stunning soulful track ‘so beautiful’ featuring barbara tucker. the lp also features contributions from producers and musicians j.l., victor martin (eurythmics) and ibiza luminary cesar de melero.

the omnibus band was founded by jarda zajpt and petr dikan in 1979 in czechoslovakia. having met at the electronic high school, electronics was their field of expertise. over time, petr dikan constructed several sound devices such as the Šílený fridrich (Šf, crazy frederick) keyboard and the vsd (všude samý dráty/wires everywhere) generator which he operated during the recordings and also at concerts. at that time, heavily influenced by brian eno and robert fripp from the king crimson band, jarda zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. the first record, “israels”, was produced between 1980 and 1982. in 1985, jarda zajpt swapped a guitar for a keyboard and a new member arrived – pavel zvolenský – who programmed and played the automatic percussions. martin bauer, playing the bass guitar, completed the trio. they have produced a second album, “rhythmus”, in this assembly. remastered from unreleased tape recordings. this is the first release in the framework of the project jupiter 08 – archeology of the slavic electronic sound.